Pillars of Metaphorical Ambiguity in The Scarlet Letter Essay -- Scarl

Pillars of Metaphorical Ambiguity in The orange red earn Among the multiplicity of arcane elements hidden beneath the countersigns in Hawthornes The Scarlet earn, none is so app bent, yet strikingly subtle to the readers sensing and consumption of characterization than the allegorical play on words deep down the names of the characters. Both the protagonist and her rival within the spot atomic number 18 blessed with conveniently appropriate, fitting names. The four pillars supporting this tonic are all cloaked with foreshadowing names, which silently clue the reader into what traits and import the character holds as the story unfolds. These pillars that solidify the novel are Hester Prynne, Roger Chillingworth, Arthur Dimmesdale, and Pearl. The first, maybe strongest column supporting the evolution of themes in the novel is Hester Prynne. Hester is the schoolgirlish cleaning woman who is abandoned by her older, disfigured husband, and falls in love with a young, passion ately God-fearing man who subsequently conceives a child, thus disclosure her adultery and is punished by the Puritan society that he represents. She is instructed to yield a red letter, hence the title of the book. Through her punishment, she acquires and applies several motifs that the novel boasts, the most powerful one being represented perpetually passim the story, sin. Apparently, in efforts to stress her significance and origin of decisions in the story, Hawthorne skillfully gave this woman whom the story revolves around the name of Hester Prynne, comfortably in sync with the word she is faced with constantly sin. Her last name, rhyming with the word is no mistake, and though subtle in its existence, is ingenious in its implication, and an almo... ...r Dimmesdale divulges the less than resplendent qualities the young minister displayed in his lack of resolve and spirit. Finally, Pearl implies the costly, lamentable declaration of a debacle that was ironically conceived f rom affection and tender ardor. The intricate constituents of this perpetual metaphor of a novel would vaporize without concrete, stationary components that solidify the diagram and stimulate its growth, each reactive and influential upon the other. Nathaniel Hawthornes The Scarlet Letter would crumble into an insipid, low faceted pile of a couple plot twists, monotonous characters, juvenile prose, and a stack of aged papers from Hawthornes basement that would have never reached the new millennia without those four pillars of metaphorical ambiguity. fetch CitedHawthorne, Nathaniel. The Scarlet Letter. Ed. Brian Harding. Oxford Oxford 1990.